"the diametric consequences of inverting rhythms enables the use of a single source amongst many pre-conceived dissonances. this composition transforms all sorts of narratives, before exploring somewhat integrally, and finishing with an extremely predominant series of 'analysis-analyses' (as i like to call them). it is of paramount importance that percussive, pro-electronic non-linearity-themes must never be allowed to become unique, or multi-timbrally complex. as a highly popular composer, i explore the connection between triads and microtones, and search for new ways to 'layer the interval'. recently, i have started to embrace energies as a strongly-tonal alternative to established forms of textual tetrachord-vibrations, which has made my work integrally psycho-orchestral. it is clear that popular semi-multi-timbral compositional approaches are often compromised by an over-abundance of semi-symbolically rhythmic tritones, particularly when dealing with large numbers of rhythmic reverberations. "
the contemporary classical composer's bullshit generator
Version 1.0 (15th October 2012) - © 2012 Dominic Irving.